#AWW2019 Maxine Beneba Clarke

 

Introduction:

1. I needed to share
2. Maxine Beneba Clarke’s poem on my blog.
3. There is something so rewarding in this poem
4. if you are willing to
5. …let go of what you already know.

 

Ritual

We’ll go cardboard-boothed

  to the primary schools

community centres

  and the churches to boot

 

and friendly neighbours

  ideologically opposed

will avert their eyes

  as they fold up their votes

 

Last thoughts:

You want a poem to unsettle something…

1. Maxine Beneba Clarke has done it
2. ..about Australian elections 2019
3. There’s not a word wasted in these clean, spare lines.
4. We could use this poem for elections all over Europe!
5. You can read THE ENTIRE POEM  HERE
6. Thank you @slamup 

 

 

 

#Poetry Winner Victorian Lit Award 2019

• Author: Kate Lilley
  
• Title: Tilt
  
• Published: 2018
• Genre: poetry (38 poems)
  
• Cover: 1948 photograph of Luna Park lighted windmill, Sydney
• Title:  Tilt….express the feeling of being off-balance
• Trivia: 2019 Victorian Premier’s Award for poetry – winner
  
• List of Challenges 2019
• Monthly plan
• #AWW2019
• @AusWomenWriters

 

Introduction:

1. Just finished reading 38 poems:
2. TILT by Kate Lilley.
3. Her talents…are mentally exhausting
4. …and I mean that in a good way.
5. Time for aperitif #Heineken.
   
6. Poetry is hard work….more so than a novel!

 

What did I learn about just by reading these poems?

1. Queen Christina – cult scenes in the movie with Greta Garbo (Poem: Femme Forte)
2. Taboo subject unheard of in polite circles 19th C Edinburgh
3. …The Drumsheugh Gardens School scandal 1810 (Poem: Children’s Hour)
4. Slice of life of forgotten 1970s queer strip in Sydney (Poem: Tilt)
5. Lillian Hellman’s 1934 production of Children’s Hour
6. ….(see scandal Edinburgh) (Poem: Children’s Hour)
7. La Maupin 17th C French swordswoman who caused
8. havoc in a convent trying to escape with
9. …her lesbian lover (OH!) (Poem: Children’s Hour)
10. Kate Lilley’s 10 autobiographical poems (part 1) #heartwrenching
    
11. I learned about Greta Garbo’s post showbiz life as recluse in NYC
12. ..this was a poem-essay (Poem: Garbo at ‘Wits End’)
13. Corporate talk “If you need me get in touch, backchannel me”
14. (Poem: Coda)…sense of closure with first poem Tilt
15.  Poem for lovers in a transnational/digital world (Poem: Weather Channel)
16. I learned why Lilley wrote an elegy for her father (author)
17. …Merv Lilley (Poem: Her Bush Balland [Bourke St Elegy])
18. …but not for her mother (poet) Dorothy Hewett (Poem: Memorandum)
19. Lilley asks the question: (social issues)
20. Why send a ship to sea unseaworthy? (refugees, mandatory detention)
21. ..offering care to cargo
22. …rather than care for people (Poem: In Harm’s Way)

 

Strong point:  autobiographical poems

1. Poetry tells us the history of the human heart.
2. If you only read these 10 poems (pg 11-30)
3. …than my mission is accomplished to encourage
4. more readers to pick up a book of  poems.
5. I dove into TILT cold turkey.
6. I thought:
7. I speak English, the poem is in English
8. and I still have no idea what it  all means.
9. Then I started to research Kate Lilley’s
10.  dysfunctional family.
11. There are issues in the autobiographical poems
12. …major issues!
13. Kate Lilley was immersed (involuntarily)
14. into the Bohemian lifestyle of her parents
15. Merv Lilley and Dorothy Hewett in 1970s Sydney.
16. Both Kate and her sister were being
17. …abused by friends of their parents, predators.
18. Lilley has suffered for years trying to put her life  back together
19. …after living with a mother who’s mottto was: ”Boys Will Be Boys”.

 

First lines of autobiographical poems: set the scene, setting

1. This is a seductive device
2. …dangling a setting in front of the reader.
3. It does not make too many demands
4. of there reader at the beginning.
5. That will come later.
6. The first couple of stanzas takes the reader
7. …by the hand and guides him into the poem.

First lines…

1. Fonzies Fantasyland at 31 Oxford St nows a disappointing IGA [SETS SCENE, A SETTING]
2. One morning walking down Bourke St I hear my father’s voice  [SETS SCENE, A SETTING]
3. Mystic Rainbow cuisenaire rods (math learning aid)
4. The first man who put his hands on me ( Oh, we are curious)
5. Sounds quaint but in those days… [SETS SCENE, A SETTING]
6. Winter White crepe maxi (…don’t know where this is going)
7. At the Australian Society of Authors Xmas Party ( …we are curious)
8. Conversation meant listening to adults (…been there, done that!)
9. We were all there (…who is WE? …where is THERE?)
10. He appears in the doorway [SETS SCENE, A SETTING]
11. The girl I sat next to in maths at high-school (…we are curious, what about her?)
12. Pushed up against the metal rim of the shower (…feels aggressive, [SETS SCENE, A SETTING]
13. Overhead on the street [SETS SCENE, A SETTING]
14. For her to die like that nobody there (…who? ) [SETS SCENE, A SETTING]

 

Conclusion:

1. 38 poems
2. 3 parts:
3. Tilt (autobiographical and confessional poems)
4. In Harm’s Way (based on events and experience in psychiatry)
5. Realia (facts) – (poems related to Greta Garbo, and many ‘list poems’)
6. I liked 65% of these poems
7. ….pretty good return on investment.

 

1. Unique: Kate Lilley writes list poems (…completely new for me!)
2. By listing words Lilley wants to create a sense of what this book
3. is about: dysfunctional family – therapy, hospital – Greta Garbo
4. by just listing carefully selected words.
5. List poems are puzzles!

 

Last thoughts:

1.  A poem is like a diary
2. ….without the lock and key.
3. Poetry is not difficult.
4. I’ve read 5 different collections in the past weeks
5. …and EVERY book was enthralling!
6. I never get this buzz after reading a novel…never!

 

Collections read:

1. USA – Jericho Brown – Anisfield-Wolf Award 2015
2. IRELAND – Gerard Fanning – Winner Rooney Prize Poetry 1993
3. NEW ZEALAND – Therese Lloyd – Shorlist Ockham Prize 2019   (prize 14 May 2019)
4. AUSTRALIA – Kate Lilley – Winner Victorian Premier’s Award 2019
5. NEW ZEALAND   – Cilla McQueen – Shorlist Ockham Prize 2011

 

#Poetry Cilla McQueen

• Author:  Cilla McQueen
  
• Title: The Radio Room  (34 poems)
  
• Published: 2011
  
• Genre: poetry
• List of Challenges 2019
• Monthly plan
• #AWW2019
• @AusWomenWriters
• Trivia: Ockham NZ Awards shortlisted Poetry Prize 2011

 

• Trivia:  If you ever read this collection of poems
• …I will save you some time.
• It took me 2 days to find the meaning of Maori words
• mentioned in three poems: About the Fog, Reprise and
• Talking to My Tokotoko.
• “Hopupu Honengenenge Matangi Rau”
• …which in Maori means
• “the long water which bubbles, swirls and is uneven”.
• #YourWelcome

 

Who is Cilla McQueen?

1. Mcqueen was Born in Birmingham, England
2. …and moved to New Zealand when she was four years old.
3. She ranks amongst the finest poets of her generation.
4. Trivia: Three New Zealand Book Awards
5. Trivia: 2009 Prime Minister’s Award for Literary Achievement
6. Trivia: New Zealand’s Poet Laureateship (2009-2011)
7. In The Radio Room, Poet Laureate Cilla McQueen
8. …travels space and time, throwing thoughts (Poem: Bookworm)
9. from Bluff NZ , her corner of the world, to  the ancient Celtic islands
10. of her ancestors. (St Klida, Island Mull) (Poem series: Elements 1,2,3,4)

 

Conclusion:     My notes about a few poems….

 

Poem: The Ghostly Beast 

1. Reference: 15th C Scottish history
2. Macdonalds of Clanranald…carry off booty van rival clan
3. …rough estimante 600 cows.
4. McQueen describes fear of people  “in the bothy” (cottage)
5. Sounds of “song of a storm, roiling tempest”
6. “…a lowing so close”
7. Is it a our cow or the  ghosts of stolen cattle?
8. Conclusion: No  emotional impact but I do
   
9. learn that McQueen bases many poems
10. on her Scottish heritage.
11. #BadChoice  for kick-off poem in collecton :(

 

Poem: About the Fog

1. Reference: feelings about loss (mother)
2. McQueen’s personal journal…
3. …pages destroyed  b/c book left on a table
4. ….during a foggy night.
5. …”vanished thoughts”
6. washed away “…as if by tears.”
7. Blue ink turned  “…turquoise wash
8. …word-slivers….beld edges”
9. Conclusion: very moving poem
10. #TimeForKleenex

 

Reading tip:

1. I read this poem 1 x … it made no sense.
2. I’m too close to the text, to eager to understand
3. …hence see nothing!
4. Then I wrote each stanza in longhand,
5. absorbing each sentence as I went on.
6. That is the best way to ‘read’ poems.
7. You just have to invest some time and
8. effort to distill the poet’s message.
9. Sometimes objects art not things.
10. Objects are news…that is part of the puzzle.

 

Poems:  Altar (Elements 1)

1. Reference: Island of Mull– 15th C MacKinnon’s Cave
2. Deep inside lies a large, flat slab of rock, known as Fingal’s Table
3. used as an altar by hermits and early followers of the Christian church.
4. The first part of the poem
5. …refers to the ‘sin’ of killing
6. the Great Auk bird on St. Kilda, Scotland 1844.
7. The second part refers to a Greek mythical figure of
8. a warrior Amazon.
9. She offers the spirits a gift as does…the narrator.
10. The poem is bookended:
11. Part 1: laid our sin on the altar
12. Part 2: laid our prayer on the altar
13. Conclusion: this poem needed some
14. research to understand it (Great Auk).
15. No emotional impact…just historical interest
16. #Dud

 

Poem Beacon (Elements 2)

1. Reference: Island of Mull– 15th C MacKinnon’s Cave
2. This was very different compared  to Altar (Elements 1)
3. I thought there would be a connection
4. ….but the contrast was the best part!
5. McQueen uses beautiful lyrical language to
6. give us an image of a beacon of light
7. leaping from “altar to altar, island to island”.
8. Conclusion: Images linger; fascinated
9. McQueen makes a (lighthouse) beam come to life …
10. “a quartz shiver”….with ” quicksilver feet’!
11. #Magical

 

Poem: Bookworm

1. Reference: Martin Martin from the Island of Skye.
2. 1690s he decided to visit St. Kilda and
3. record the natural history and culture.
4. This was a frustrating read.
5. I must have read it 10 x…!
6. It feels as if McQueen read the historical
7. document by M. Martin and just left her
8. thoughts drift: “tell past to know time present”.
9. She compares herself with a (title) bookworm
10. that tunnels through books
11. …as she does through memory.
12. Literary device: 
13. antimetabole (reversal of words)
14. “…on dark ground white words, on white ground dark words.”
15. This device can be pithy and powerful
16. …but it fell flat in this poem.
17. Conclusion: exasperated…only  wish Ms McQueen
18. could  explain this poem to me.
19. PS:...to make matters worse
20. …my reading glasses broke today
21. so I was forced to read this through “old lenses”!

 

Poem: Foveaux Express 

1. Reference: ferry between Bluff and Stewart Island
2. McQueen compares poetry to the catamaran ferry ride.
3. Ferry: it is ‘swift as the stroke of a pen…text in motion’
4. Poem: “…gimballed (supported) on muscling swells (waves)
5. …word-ware cargo.”
6. Conclusion: McQueen tells me why I should read poems:
7. “Poetry takes you apart, puts you back different”

 

Poem: Lens

1. Literary devices: filled with …alliteration and assonant rhyme
2. webbed wash-house windows
3. dusty dwang (building), bee-sting blue-bag

 

Poem: Ripples

1. This poem is considered one of the best poems of New Zealand
2. The Poets mentioned in “Ripples” are Joanna Paul (1945-2003)
3. and Hone Tuwhare (1922-2008).
4. #Impressive

 

Poem: Soapy Water

1. McQueen is so clever!
2. #Hysterical!

 

Poem: Three Elaborations

1. After reading several poems like this one
2. ….topic is about a beloved one who passed away.
3. …gone with Ganyede, beloved one,
4. to fill the crystal glasses of the gods.
5. …you swore to send a message back from death…
6. …empty VB bottles queueing by the sink
7. …all gone – the house as quiet as Miss McKenzie’s old piano…
8. I can assume Hone Tuwhare was
9. Cilla McQueens life partner after her divorce in 1986.
10. I can find no biographical information to support my
11. assumption…just a ‘woman’s intuition’ that Hone was the
12. #LoveOfHerLife.

 

 

Poem: Coastling (Elements 3)

1. I took a page out of Mcqueen’s book and
2. …let MY thoughts drift after reading this poem:

Poem:

• I meet myself coming the other way.
• Distinguish between two grains of sand.
• No power on earth can change me,
• nothing pins me down.
• Within my high and low I belong to none.
• A sacred slate where law is written.

 

1. Conclusion: Title: Coastline
2. I imagine a  beach and
3. …the poet gazing at her footprints (“…met myself”).
4. Nothing “pins me down”.
5. Footprints are washed away
6. …by the next wave (“belong to none”).
7. The next step she makes  is
8. …on “a sacred slate where law is written.”

 

Poem:  Mining Lament

1. This is  playful poetic pantoum!
2. A verse form composed of stanzas in which the
3. second and fourth lines
4. ….are repeated as the
5. …first and third lines of the following stanza.
6. 10 lines and McQueen stretches the poem to 20 lines
7. ….a pantoum!
8. She repeats lines so subtly
9. …that if you read it without a warning
10. you would think it contains 20 separate lines of poetry!
11. #BrainTeaser
    

 

1. NOTE: the last line of a pantoum is the same as the first,
2. making this a form of ouroboros type.
3. The ouroboros a SYMBOL in the form of a snake
4. …consuming its own tail.
5. The poem ends where it begins
6. ….a never-ending circle.
7. How cool is that?
8. #WhoSaidPoetryIsBoring
   

 

What is my favorite poem in the collection?

1. It has to be a poem of friendship for 2nd Poet Laureate of
2. New Zealand Hone Tuwhare. (1922-2008).

Poem: Letter to Hone 1

1. I so impressed by the tenderness and
2. affectionate words McQueen uses to celebrate this poet.
3. I can only assume this is a tribute  to him just after his death.
4. He passed away in 2008 and
5. …this collection was published 2010.
6. I don’t usually post the poems I read…but this one
7. I must share:
8. Note: Matua Tokotoko = Maori  carved walking stick
9. …that is a symbol of great respect.

 

Letter to Hone 1

• Dear Hone, by your Matua Tokotoko
• sacred in my awkward arms,
• its cool black mockings
• my shallow grasp

 

• I was
• utterly blown away.

 

• I am sitting beside you at Kaka Point
• in an armchair with chrome arm-rests
• very close to the stove.

 

• You smile at me,
• look back at the flames,
• add a couple of logs,
• take my hand in your bronze one,
• doze awhile;

 

• Open your bright dark eyes,
• give precise instructions as to the location of
• the whisky bottle
• on the kitchen shelf, and of two glasses.

 

• I bring them like a lamb.
• You pour a might dram.

 

 

Last Poem: Your Eyes

1. Of course…no mistake
2. Hoen T. was McQueen’s  soul mate.
3. Trivia: Yvonne mentioned in the last line
4. is the NZ writer Yvonne du Fresne (1929-2011)

 

Last thoughts:

1. Unlike poems by
2. Jericho Brown (USA, raw, gritty)
3. Gerard Fanning (IRELAND, nostalgic, playful)
4. Therese Lloyd (NZ, heartbreak, visiting Ed Hopper’s paintings)
5. Cilla McQueen’s poems were exhausting!
6. I mean this in a good way…she makes me think.
7. Her best poems are about her grief losing Hone Tuwhare.
8. Also best  poems include the ones in which
9. …McQueen shows us what is like at…
10. the  end of the world in  New Zealand her hometown
11. Bluff in Southland is the country’s most southerly tip,
12. Subjects: weather, animals, whaling, oystering, shipwrecks, the sea.
13. She has a sharp eye for particularly New Zealand detail.
14. “my Tolotoko” (Poem: About the Fog)
15. A tokotoko is a traditional Māori carved ceremonial walking stick.
16. ..a symbol of authority and status for the speaker holding it.
17. “bronze totara” (Poem: Crazy Horse) – tree in New Zealand
18. “In a kowhai two bellbird sing…” (Poem: In Hand) –
19. small tree and  bird  prevalent to New Zealand (greenish colors)
20. McQueen’s most  difficult poems are based on
21. …Scottish myth, legend and history.
22. It requires more research to understand
23. …just a few snapshots in the poems.